Read articles that will instruct you as to how to weigh your wants, needs and budget when shopping for electric strings gear.
Amplifying a musical instrument requires some way of transmitting an electrical signal from the instrument to an amp to a speaker. The simplest and cheapest way to do this is with an instrument cable, physically connecting your instrument to the signal chain that includes effects, amplifier and speakers. But performers (and indeed, stage mangers) know firsthand about the annoying, complicated mess that cables present. There's the "black spaghetti" of tangled instrument and mic cables on stage that make setup and tear down a hassle; there's the tripping hazard for you and your bandmates on stage; and, last but not least, there's the loss of the feeling of freedom to move, especially for violinists and violists who are not accustomed to being tethered down and tugged on by a weighty cord coming out of their instrument.
If you've ever wished you could "plug in" without actually plugging in, then a wireless system might be just the thing for you. We have three great wireless options, each suited to different types of instruments. Read on to see which wireless system is the one for you.
It's one of the most common questions we hear: "Do I need a preamp?" As with most tech topics the answer is nuanced, but as a general rule of thumb, yes, electric bowed strings need a preamp, particularly if plugging into a sound board. Watch our video and read below to learn more...
The SetupIn order to present a fair comparison of a variety of pickups, the same violinist, Matt Bell, recorded each sound sample on his own acoustic violin. For control/comparison purposes he recorded an unamplified acoustic sample of the violin as well. A Tascam recorder captured the sound coming from a Fishman Loudbox Mini while Matt played wirelessly from an adjacent room with the door closed to eliminate acoustic tone bleeding into amplified tone.
No matter how nice your acoustic violin is you might be surprised at how much simpler it is to achieve great amplified tone using a purpose-built acoustic-electric instrument as opposed to a pickup. There are several advantages of acoustic-electric violins as compared to using a pickup or in certain amplified settings, as well as some circumstances where an acoustic-electric may not be the optimal tool. In this video Matt outlines some of the pros and cons of acoustic-electric instruments compared to using pickups or solid-body electrics.
The selection among solid-body electric cellos is a bit more limited than that of electric violins but cellists nevertheless have several great options to choose from. There are several important factors to consider when shopping for a solid body electric cello, including:
- Physical points of reference
- Pickup, onboard electronics and the resulting tone
- Number of strings
- Headphone jack/preamp for practice
- Fretted or non-fretted fingerboard
We will outline these important factors and help you figure out which features are most important for your needs and ultimately narrow your selection to the best cello for your needs and budget.
**UPDATE** ZETA violins are now compatible with the Roland GR-55 using the ZETA 8-pin to 13-pin MIDI cable (sold separately).
We get lots of calls and emails about MIDI violins. MIDI options for violins have been around for decades, but were only compatible with synthesizers that are now obsolete and only available on the used market. Also, latency and slower triggering made these MIDI violin systems less than ideal for most performers.
We are pleased to announce that we now carry two violins that are compatible with a high quality, available and currently produced MIDI synthesizer. The Fourness Fuse, with its newly calibrated 13 pin MIDI jack, and Cantini violins, with their proprietary 8-pin to 13-pin adaptor cable, have passed our in-house testing and are for sale on our site for use with the Roland GR-55 synthesizer.
Stocking Stuffers category. If you want ideas for something bigger, including instruments and musical gear, take a look at out Holiday Gifts category, where you can sort items by price. For further advice on what to get your musical loved one this holiday season, read on or contact us for personalized advice...
Avoid beginner frustrations by keeping these things in mind as you dive inNationally renowned strings educator and friend of the shop Scott Laird is at the forefront of helping teachers introduce electric bowed string instruments into their classrooms and studios. He gave the presentation below, entitled "Ten Practical Strategies for Inspiring Your Students with Electric Stringed Instruments", at the 2013 American String Teachers Association National Conference. Before getting into his ten strategies, Scott outlined four great "precepts" for teachers looking to incorporate electric strings into their school programs. We think these principles are right on the money and apply equally well to anyone taking up an electric stringed instrument for the first time. The four precepts are covered from 05:30 to 10:25 in the video and we've outlined them below...
The bow makers and engineers at CodaBow use advanced materials to bring consistency and affordability to their great bow designs. CodaBow's graphite and kevlar bow sticks have the same performance agility and tone-drawing capability as fine wood bows that are several times more expensive. Whether for use as a primary performance bow or as a travel / backup bow, there can be little doubt that CodaBow bows represent some of the best value in the strings industry. If you’re looking to invest in a bow, the question then becomes not whether to choose a CodaBow but which CodaBow to choose. The following guide breaks down the choices for you to aid in your decision-making process.
Multi-effects processors offer great value and variety for beginners and are compact and portable for the touring pro. Electric Violin Shop carries a handful of multi-effects processors from Boss and Digitech, which range in price from about $100 to about $300, including:
All of the multi-effects processors we carry come with dozens of different preset effects, as well as the ability to alter and store changes to any of them. All include a mute/floor tuner as well. Things to consider when differentiating between Good, Better and Best multi-effects processor options include whether you will need any or all of the following features…
The Electric Violin Shop staff is always on the lookout for tools, devices and technology that suit the strings player, enhance their performance and expand their expressive palette. Let's face it though--there aren't many purpose-made effects for bowed strings. Therefore, we spend a lot of time testing guitar technology with electric violins in order to be able to find those that work best and offer them in our catalog, hopefully saving electric violinists lots of time and money having to do the same for themselves! We recently dipped our toes into legendary guitar effects maker Electro-Harmonix's catalog of guitar electronics. Electro-Harmonix is a New York-based company that makes high-end electronic audio processors. It is best known for a series of popular guitar effects pedals introduced in the 1970s. The company continues to innovate and makes some really solid, great sounding effects. We found that the following units, all of which we now offer in our catalog, work great with electric bowed strings and fulfill common needs of many strings players:
Choosing an electric violin from the many available models can seem like a daunting decision-making process. There is a huge range of prices, shapes, colors and features that can be enough to make anyone’s head spin! Not to worry…Electric Violin Shop is here to radically simplify your choice by showing you how to narrow down your selection based these key considerations:
- What is your budget?
- What do you need (or want) out of your electric violin?
- What is your tone preference?
- What are your look, feel and style preferences?
By addressing this handful of considerations one by one, you can quickly narrow the selection of electric violins to a small number of instruments that fit all of your requirements. We are always available to assist you along the way and can be contacted at 866-900-8400 or by email at firstname.lastname@example.org.
Football season is about to kick off and with it the fantasy football season. We at Electric Violin Shop asked ourselves, "Why should sports fans have all the fun?!" We got together and decided to build our fantasy performance gear rigs by selecting pieces of equipment in pre-determined order, à la fantasy football drafts. Each staff member's rig had to include an instrument, amplifier, effects pedal and bow (an exception was made for the upright bass rig), and a final slot in each rig was designated a "flex" item...in other words, player's choice. We cut cards to determine picking order and proceeded to draft in serpentine fashion (first to pick in Round 1 is the last to pick in Round 2, etc.). So, without further ado, here are the results of our expert mock draft (continue reading below for our experts' post-draft breakdowns)...
by Susie Sneeringer
Who may want/need a C string on a violin?
- Violinists or fiddlers who also love the low, rich tone of the viola C string.
- Violists who are also comfortable with the violin scale length, and want to keep that C string and add the brighter flavor of a violin E string to their playing.
- Teachers / instructors may want a violin and viola on hand to play certain passages for their students. A 5-string enables one to play violin, viola, and even cello parts (an octave higher than written).
- If you like to improvise in any musical style, whether it’s bluegrass, jazz, hip-hop or rock, and wish you had a little bit more range to do so. You can also surprise the guitar or piano players that you might be trading licks with!
Hi – my name is Susie Sneeringer, and I’ve been with Electric Violin Shop for over a year now. I’ve played in a number of bands with various types of amplification for my violins. Needless to say, some have worked better than others! Over the last ten years or so, I’ve gone from playing my acoustic violin outdoors at the San Francisco Ferry building in a bluegrass and old-time band (salt air, I found out, is not great for your acoustic violin) to using a stick-on guitar pickup in a blues band, to using a replacement bridge on my acoustic violin in a local country band. After all of this, it’s such a relief to have instruments – and sound -- that do what I want them to do when I show up for a gig. I play in a fiddle band and a full-blown rock band, and while I’d like to have one of everything in the building here at EVS, this is a reliable setup that works well in most of the medium-sized venues I play with my two bands. It’s like a car that is fun to drive AND gets great mileage.
Hi--Duncan here, from Electric Violin Shop. I've been with EVS since 2008 and have probably considered every violin we carry my favorite at one time or another. There is so much variety in our line that choosing just one is nearly impossible. However, if forced to decide I would probably own... Violin: 6-string Vector Prodigy Pro with Barbera Twin Hybrid pickup. Nick Tipney's violins are minimal, almost rustic in their design, yet the lines and shapes have a real elegance about them. The Vector Prodigy is among the very lightest weight violins on the market and the Barbera Twin Hybrid pickup bridge is agreed by most professionals to be one of the finest sounding transducers available. Nick has made a few of the 6-strings for us and our customers over the years and I've always enjoyed playing on them, finding the neck width and fingerboard curvature highly navigable considering the extra strings. And for as great as the Barbera bridge sounds anyway, something about the resonance of the Vector's (Nova Scotia-grown) maple top adds a gorgeous character to the tone.
You may have seen, heard or played one. Perhaps as an affordable means of going electric for the first time you've been tempted to buy one. It costs under $200 online and looks kind of flashy, even if reminiscent of an ampersand that's been left out in the sun too long (see picture). It's clear that one of the coolest thing you can do as a strings player is to go electric (or so we at EVS believe) and the enticement to entering into electrification cheaply is certainly understandable. However, by purchasing a cheap solid body electric instrument you will likely end up disappointed, frustrated and all around discouraged from continuing your electric experiments for at least one or more of the reasons given below.
Yamaha has one of the most complete lines of electric bowed strings of any manufacturer on the market, ranging from the entry-level to the professional. While their program started with the now-famous SV-100 "Silent" Violin with headphone jack for personal practice, they quickly embraced the growing market for electric strings, offering wide range of color and feature options at a variety of price points. Unless we've sold out in the last couple of days, we always have every Yamaha silent and electric violin, viola, and cello model in-stock, in every color, at any given time. We also offer the Yamaha SV-100 and -200 silent basses but due to their size (and the limited space in our small shop!) we don't usually have one on hand, although we are happy to special order one. Read more below about Yamaha's silent and electric violins, violas, and cellos and upright basses.
We frequently receive inquiries for "cordless" or "wireless pickups". While amplifying your instrument wirelessly is not a difficult task, it is important for those seeking to do so to understand that the process involves two pieces of equipment, made and sold separately. A pickup's sole function is to convert your instrument's string vibrations into an electrical signal that can be output to amplification equipment. From there it is up to the user whether they transmit that signal through a cable (wired) or over the air-waves (wireless).
As with electric guitars, good electric bowed strings instruments can convincingly do most anything an acoustic can and so much more. With a solid body electric stringed instrument you will be able to…
Plug in and be heardWhen played acoustically into a microphone, violin family instruments can get lost in the mix. Drums, vocals and guitars are easier to mic and violinists tend to move more as they play, so the sound can fade in and out of the mix as well.
Have no feedback worriesNothing is as irritating or unpleasant as the high-pitched squeal caused by a feedback loop. Feedback is one of the biggest problems acoustic violin players encounter when trying to amplify and can be eliminated by using a solid body electric instrument for amplified performances.
Total tone controlYour acoustic instrument’s tone is pretty static. Imagine being able to equalize your violin tone like you would your home stereo. Make a violin sound bright like a fiddle, or dark and rich like a viola or cello, all with the turn of a few knobs on an amp or mixer.